We normally think of government agencies as acting in a purely rational and instrumental way. In the case of intelligence agencies, we presume they rely on reason and science to protect the national interest. By contrast, the general view of secret societies and occult groups is that they engage in rituals and practices that have little or nothing to do with normal social intercourse, or even with reality. This article shows that these common assumptions are false, and that secret societies and intelligence agencies share many important traits. Our understanding of the CIA's role in supporting the production of Hollywood movies will be enhanced by taking these similarities into account. Intelligence work and the operations of secret societies are shown to overlap in five categories: religious underpinnings, occult practices to control the mind, cryptography, violations of social convention, and cryptic transparency—the ability to carry out secret activities in plain sight. These affinities explain why the CIA can promote movies that are actually quite candid in their revelation of the dark underside of the Agency. In so doing, the CIA projects a subliminal message that whatever questionable actions it takes are justified by a higher good, which can only be known by insiders.