The purpose of this research was to examine semi-professional contemporary dancers’ experiences with injuries. Similar to athletes, dancers are often injured. Much of the previous research on dance injuries, however, has focused on ballet where the professional requirements and high technical level create demanding work conditions. Semi-professional contemporary dance differs from this context due to its technique and work environment. In this study, I investigate how contemporary dancers experience injuries. From a Deleuzian perspective, I examine the connections between the body, injury, and the dancing identity within the culture of contemporary dance. The empirical material from semi-structured interviews revealed that while most participants suffered injuries, they generally ignored their injuries and continued to dance as, they argued, their passion for contemporary dance overrode the need for caring for their injuries. Consequently, the cultural environment for amateur dance facilitated injury experiences similar to professional dance.