This article analyses the creation and implications for cultural identity of a hybrid tourism landscape on Taiwan's Orchid Island (Lanyu). It particularly argues that Lanyu's native Tao people have begun to gain a somewhat stronger cultural identity and autonomy through this landscape. Orchid Island underwent rapid modernization within the past 60 years. The article not only shows how tourism was imposed by Taiwan's government, but also how the Tao have made greater use of tourism's landscape over time for their own purposes. Not without sociocultural problems and contradictions, Lanyu's tourism landscape has been polysemic enough to allow for gradually improving relationships between Taiwanese and Tao and for gradually increasing Tao participation in modernity on their own terms.