The aim of this study is to qualitatively examine the roles of music for musician Holocaust survivors during the Holocaust and whether and how it helped them cope with its effects. Seven musician Holocaust survivors aged 73–95 were interviewed. Interpretative Phenomenological Analysis of the transcribed interviews indicated five chronological periods where music had different roles: (1) prior to the Holocaust (e.g., as a means to create identity), (2) the outset of the Holocaust (e.g., as a means to maintain normalcy), (3) during the Holocaust (e.g., as a means of escape), (4) the aftermath of the Holocaust (e.g., as a means to promote rehabilitation) and, (5) present day (e.g., as a means to commemorate the past). A sixth category that had a cross-temporal nature was termed "transitional objects," defined as musical objects that survivors clung to during and after the Holocaust for consolation. The roles of music in coping with the survivors’ trauma are compared to studies that found similar as well as contrasting results and are discussed in light of the literature regarding uses of music for coping with trauma and in light of the growing knowledge about "health musicking."