This article considers epistemological implications of Bakhtin’s dialogism. Bakhtin urged scholars in the human sciences to treat a text as having a voice of its own, to be attuned to its creativity and originality, and to resist conflating one’s image of the author with the actual person who has produced the text. Importing his ideas into the social sciences creates a site of tensions at the disciplines’ boundaries. Yet his characterisation of dialogue applies also to qualitative researchers’ interactions with nonfiction material. Bakhtin contended that a text as an utterance is a unique unrepeatable event; and that a voice is immanent in how the text itself operates: its placement in a dialogical sequence (answerability), its plan (purpose) and the realisation of the plan. Attention to these dynamics could constitute a formative step in the epistemic process of qualitative research, as concrete examples illustrate. A concept of a ‘dialogic triangle’ (utterance, response and their interrelation) is proposed.