Recreational trespass or ‘urban exploration’ (UE) is the practice of researching, gaining access to and documenting forbidden, forgotten or otherwise off-limits places, including abandoned buildings, construction sites and infrastructure systems. Over the past two decades, a global subculture has coalesced around this activity. More recently, however, the practice has begun to transform along divergent lines. The aims of the present article are three-fold: first, to bring UE and its emergent variants to the attention of a criminological audience; second, to interrogate increasingly spectacular visual representations of UE and attendant processes of commodification; and third, to introduce the rhizome as a way of thinking about urban social formations, their development and appropriation.