Memory, authoritarianism, and the arts after the 1965 killings in Indonesia: Who has “The Right to Look” at history?
Published online on March 14, 2026
Abstract
Memory Studies, Ahead of Print.
This article examines the ways that Indonesian visual art and culture created after the 1965–1966 killings engages with collective memory, state power, and the politics of visuality. Drawing on ethnographic interviews with Indonesian artists, this article ...
This article examines the ways that Indonesian visual art and culture created after the 1965–1966 killings engages with collective memory, state power, and the politics of visuality. Drawing on ethnographic interviews with Indonesian artists, this article ...